Wednesday, May 26, 2010
"Everything is a Little Better Than You Remembered"
I'll be having a huge show at the Dorothy G. Page Museum in Wasilla in June, with nearly everything I've done since ending the "Your Square Life" strip, from my children's book work, to the Benny Benson "A Native Lad", to the pieces from last summer's Urban Green show.
The show will be from June 4th to June 26th, with a reception on June 12th from 2 to 4 p.m.
Tuesday, May 25, 2010
Oh, yeah . . . .
I haven't had much new artwork, well because I've been busy parenting. If nothing else, she's inspired a fine baby announcement. Oh, and she is the Amazing Grace. I guessed that one correctly.
. . . and the Thank You card
. . . and the Thank You card
Sunday, January 31, 2010
Detail from our baby announcement
I thought I'd include our faces since this will be the last time anyone cares about us apart from the baby.
Sunday, January 17, 2010
Thursday, January 14, 2010
15% off my t-shirts at Mysoti till the 19th of January
I just found out that it's 15% off all t-shirt and print orders till the 19th. Its time to stock up on my shirts and babies onesies.
Wednesday, January 13, 2010
Sunday, December 27, 2009
Star Wars: Revenge of the Strip, an art class
The 4 week seminar for teens I'm giving is finally up on the Anchorage Museum website. If you know any teens interested in comics, storytelling, or drawing, I'd definitely recommend it. I'll be going over the building blocks of developing comic strips, with a focus on developing their narrative chops.
From the website:
http://www.anchoragemuseum.org/learn/CLASSES_teens.aspx
From the website:
STAR WARS: REVENGE OF THE STRIP
10 a.m. to noon Saturdays February 6-27
In this four-week course, ages 13 to 17 learn the fundamentals of cartooning via the characters and settings of Star Wars. Teens create a classic newspaper comic strip in the Star Wars style and start their own comic books. Taught by comic artist Lee Post. $70 members/$90 non members (includes admission to Star Wars)
http://www.anchoragemuseum.org/learn/CLASSES_teens.aspx
Recent Commissions
http://muskoxsoftware.com/
I"ve been fortunate to have a bunch of commissioned work over the past few months. First off, I was able to do a special print for someone's mother for Christmas, featuring her two dogs and two of her departed pets using the style from my most recent show, including the gilded, gold frame. It was great fun incorporating all the little details to make the piece truly personal, like the inset portrait of Sleeping Lady and the slightly blood-thirsty look on the black Pomeranian.
I was licenced my Muskox picture from the Alaska Big and Small book to a local software developer for his company Muskox Software
Finally, I've been working the last several months on a four page, first chapter for Sarah Hurst's colaborative graphic novel based on her original play, "A Native Boy" about the life of Benny Benson and the formation of the State of Alaska.
Wednesday, November 11, 2009
New items up on Etsy
I put some new items up on Etsy, finally, today, including both of the children's t-shirts for $15 and the mini-prints from APE. The package includes nine prints from the "Curious Portraiture" show at the Urban Greens in addition to the image from the Alternative Press Expo. That's ten 4x6" prints on matte photo paper in an attractive vellum envelope for $5.00.
Tuesday, October 27, 2009
A.P.E. the aftermath
The convention it self was sloooow in sales, but the crowd that were there were brilliant. I expect I'll be able to post up a podcast soon from "Indie Spinner Rack" who stopped by for a remote broadcast and I was able to speak with JK Parkin from Comic Book Resources who put up a preview of our table on the site: "APE '09: A few more items for your shopping list"
He also got a hold of me and Jon Adams for a debrief after the convention was over that resulted in an article: "A report from the 'Garage-band' of Comic-Cons" Its a well done article and much more accurate the mopey comments I made after I hauled all my books and prints back to Alaska.
At the moment I finished it up this year, this is how I felt:
A.P.E. itself was great and walking around, I was amazed at the quality of all the participants. This was my fourth time in four years of being there, but the first time having a booth and by far, the amount of talent drastically increases every year. Correspondingly however, I think, based on talking to a number of people, the money made per booth is, well, not very much. One person I talked to said that it appeared to her to be the same amount of customers/attendees as when she had a booth two years ago, but that just weren't enough dollars/people floating around to support the number of booths and the vast quality and quantity of merchandise people were selling. In short, I sold a bunch of dollar mini-comics and not a lot of $4 or $10 prints.
I've grown to really look forward to A.P.E. each year, though this will probably be my last for a while since my wife and I have a baby on the way and spending a factor of ten over the amount I made at the show gets harder to justify. I started going to A.P.E. after I started communicating with Jon Adams after the first four issues of "Truth Serum" came out. At the time, I was still producing the strip and didn't know anything like A.P.E. existed. I haven't gone to any of the other conferences, like SPX or Stumptown, thought I was supposed to go to Emerald City Con this year with Pat Race (which would have been my first major comics convention), but the Alaskan Volcano mess this year stopped all the flights out the weekend of the convention. I've done a lot of shows here in Anchorage, but unless I'm flying out on a mileage ticket, which I've been able to do for A.P.E., or am staying with friends, which I haven't, it makes it impossible to recoup the costs if I was looking to make back my investment. Mostly, I look at A.P.E. more of an artist convention, rather than a sales opportunity, which I'd advise anyone who thinks of getting a booth.
Over the years, I've made some good friends some of the exhibitors and I'm constantly amazed, as I mentioned before, at the quality and breadth of the work. The only thing similar I've experienced is "Flatstock" the traveling poster artist exhibition. I've been able to draw on what I've seen and the people I've met when I stopped doing the comic strip, oddly enough, and was at a loss for what to do next artistically, which was invaluable. More specifically, earlier this year, I literally had to call on friends I made and people I met, like Jon Adams, Robert Goodin, Ben Walker, and Shannon Wheeler, to offer quotes and advise to aspirational cartoonists for the Alaska State Council for the Arts Conference.
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